『 景．物 / SCENE ．OBJECT 』 小巴廊 x 葉怡利

主辦人/單位: 小巴廊部落藝術
活動類別: 展覽

首次展演日期: 2015-02-07    結束展演日期: 2015-03-28
詳細時間說明:
展覽日期：2015年02月07日～03月28日
展出時間：週一 ～ 週六: 11:00 - 19:00
開幕時間：2015年02月07日 (sat.) 15:00

活動地點: 小巴廊 4 4 G a l l e r y
活動地址: 台北市台北市大安區建國南路一段202號

『 景．物 / SCENE ．OBJECT 』 

小巴廊 x 葉怡利

處於20世紀的藝術大師，畢卡索.布朗庫西.馬諦斯等..受到部落藝術的啟發，在作品中轉化為另一種的可能… 
處於2015年的當代藝術家葉怡利又會從部落藝術中，尋找出什麼樣的靈感，將時間凝結的景物重組，來捕捉自然、物與人之間所流逝的虛幻時光....

葉怡利
從事藝術創作的近十年來，大概每隔兩三年我會出國駐村，而個駐村地的景物便時常出現在我的行為錄像作品中。
而這次的展覽分成兩個部分，一個是我於2011年非洲小島駐村與2014年韓國潭陽駐村的行為錄像，另一個部分是2014年接觸到部落藝術啟發我關於記憶中景物重組的雕塑作品。

2014春天我爬大山，台灣第一高峰～玉山，夏天藝術家駐村在韓國全羅南道的竹鄉～潭陽，潭陽有點像台灣的南投竹山鎮，是個小村莊也是竹子風景區，今年是我這輩子接觸自然最多時間的一年，突然有很多時間深呼吸，每天坐在河邊聽流水聲看風景，跟以往聽汽車聲或城市噪音有很大的不同，時間的速率也不同，但這一切的美景是如此的舒適卻無真實感。

2014年接觸到部落藝術，由部落天馬行空的作品中，如同青蛙人雕像或各式不同角色造型的結合與延伸，在偶然間開啟了這次的作品的繆思。於是我企圖造景造物將記憶中景物重組，是樹林裡的禪意，河裡的石頭，高山荒野的動物，亭子裡的人，腦袋裡記憶中的美好景象，但卻和我的現實生活產生了分裂的對比，這些美好的景物竟是我對現實的逃脫，曾經存在的美好景物卻無真實感，是種泡泡裡的虛幻，我試著將時間凝結的景物重組，造成時空的錯置，景物何在？企圖捕捉自然、物與人之間流逝的虛幻時光。

小巴廊 
創立於2007年的小巴廊，致力推廣部落藝術和尋找與藝術對話的可能性。 
小巴廊藉由不同主題的部落藝術展，來多面向的呈現這個藝術領域。 
部落藝術( Tribal Art) 在亞洲是非常少見的領域，但在歐美國家卻已經成形有百年以上的歷史。 
受到先前於北美館展出的《帕克特 x 藝術家─220件合作計畫》所啟發，期待透過藝術家合作的可能性，產生更多面向的藝術角度。 

In 20 century, the great masters such as Picasso, Brancusi, Matisse... had a different kind of characteristic in their creations due to the inspiration of tribal art.
In 2015, the contemporary artist Yeh Yi - Li, What kind of inspiration will she find from the tribal art to capture elapsing unreal time between natural, object and people by scene restructuring in coagulation time......

Yeh Yi-Li
I have been artistic creation over the past decade, and I go resident abroad every two or three years, then every the scenery of the residency often appear in my Video Art works.
And this exhibition is divided into two parts. The first part is Video Art works (African island residency in 2011 and Damyang Korea residency in 2014), and the other part is sculpture which is scene restructuring about my memory has inspired by African tribal art in 2014.
I went mountain climbing in spring 2014, Taiwan's highest peak--Jade Mountain , Summer Artist in Residency in South Jeolla Province Damyang~ Bamboo, South Korea, Damyang is a bit kike Takeyama Town, Nantou, Taiwan, is not only a small village but also a scenic spot. I spend much time for contacting with nature this year, suddenly there is a lot of time to breath, sitting by the river listening to the sound of water and seeing the scenery every day, although it is different from listening to the sound of the car and the city noise in the past, speed of time is different too, all this beauty is so comfortable but no sense of reality.
I contacted with African tribal in 2014, in abstract artworks, as Frog man statue or combined with the extension from different kinds of role modeling, it accidentally opened the inspiration of the artworks. So I attempted to make SCENE and OBJECT in order to scene restructure from my memory, it is Zen in woods, stones river, mountain wild animal, people in pavilion, there are beautiful scene memory in my head, but it make split contrast to my real life, actually these beautiful scenery which make me escape from reality, beautiful scenery has ever existed but it is no sense of realistic, it's a kind of bubble, I tried to scene restructure by coagulation time, and caused space- time misplaced. Where are SCENE and OBJECT ? I attempted to capture elapsing unreal time between natural, object and people.

44 Gallery 
Established in 2007, 44 Gallery dedicates to popularize the tribal art and tries to find the connections with the contemporary art by different kinds of topics.
Tribal Art is not common in Asia, but it has developed over hundred years in Europe and America. 
Inspired by the exhibition《PARKETT–220 ARTISTS EDITIONS ＆ COLLABORATIONS SINCE1984 》which is organized by Taipei Fine Arts Museum, 44 Gallery starts 
to think over the chance of cooperating with artists.