鴻鴻 Hung Hung
Poet, Director of Stage and Screen
詩人，劇場及電影編導。曾獲吳三連文藝獎。出版有詩集《暴民之歌》等七種、評論《新世紀台灣劇場》及散文、小說、劇本多種，並主編【當代經典劇作譯叢】二十冊。擔任過四十餘齣劇場、歌劇、舞蹈之導演。電影作品曾獲金馬獎最佳原著劇本獎、芝加哥影展國際影評人獎、南特影展最佳導演獎等，並多次擔任台北詩歌節策展人。
2009年創立黑眼睛跨劇團，擔任黑眼睛文化及黑眼睛跨劇團藝術總監。導演作品包含《醜男子》、《黑鳥》、《電子城市》、《Taiwan 365─永遠的一天》等；2013年推出「換屋計畫」：《白馬要來的那天》和《自由的幻影》二劇同台演出；2014年改編華格納歌劇《尼貝龍指環》的《女武神》一劇，反映台灣當前政治與社會議題，廣獲好評。2015年獲邀至日本利賀藝術節演出《戰場上的野餐》。2016年也獲邀台北藝術節委託創作客家音樂劇《我是東西南北香蕉人》及兩廳院「國際劇場藝術節」委託創作新住民歌舞劇《蜜莉安的詭計》。
Hung Hung is a poet and a director of stage and screen who has a wide range of works, ranging from theatrical pieces and operas to dance and poetry performances, up to forty in total. He has also won the best director at Nantes Film Festival, the International Film Critic Award at the Chicago Film Festival, the Golden Horse Award Best Original Screenplay Award, as well as served as the curator for the Taipei Poetry Festival from 2004.
In 2009, he founded Dark Eyes Performance Lab, and until now serves as the artistic director of Dark Eyes Ltd (publishing house) and Dark Eyes Performance Lab. His notable works include The Ugly One, Blackbird, Electronic City, Taiwan 365 -- Eternity of a Day, and more. In 2013, he produced Das Zauberhaus: The Terrace and The Phantom of Liberty and had the actors perform the two plays back-to-back. The adaptation of Wagner’s Die Walkure has been staged in June 2014, was highly-acclaimed. In 2015, Picnic on the Battlefield was invited by Asia Theatre Directors' Festival TOGA, Japan. In 2016, he presented Bananaiana invited by Taipei Arts Festival and Les fourberies de Myriam invited by International Theatre Festival, National Theater.
