林于竝 LIN Yu-Pin
Associate Professor of the Department of Theatre Arts and the Dean of the Graduate Institute of Theatre Arts at the Taipei National University of the Arts
日本國立廣島大學社會科學研究所P.h.D.，國立臺北藝術大學戲劇系副教授暨學生事務長。出生於台灣彰化，輔仁大學大眾傳播學系畢業，早期曾加入「蘭陵劇坊」以及「筆記劇團」，曾任中時晚報記者。1991年進入日本國立廣島大學社會科學研究所就讀，主要研究領域為日本現代劇場，藝術評論與劇場空間文化論。曾擔任第七屆「台新藝術獎」表演藝術類決審團主席（2008年），「日本導演競賽」評審（日本演劇人會議主辦，2011年），以及2011年度日本「東京國際藝術節（F/T）」駐地劇評家等。
主要學術著作有『日本戰後小劇場運動當中的空間與身體』（2009年10月，台北：國立台北藝術大學出版社）以及『日本戰後劇場面面觀』（2010年9月，台北：黑眼睛文化出版社），譯著有『文化就是身體』（鈴木忠志原著，劉守曜合譯，2011年一月，台北：PAR表演藝術雜誌出版社）、『文化立國論』（平田織佐原著，2017年九月出版，書林出版社）等。
Lin was born in Changhua, Taiwan. After graduating from the Department of Mass Communication at Fu Jen Catholic University, he joined Lan Ling Theatre Workshop and the Note Theatre Workshop. He used to work at the China Times Express as a journalist. In 1991, he went to Japan to study Japan’s postwar theater movement. He received a Ph.D. of the Graduate School of Social Sciences at Hiroshima University, Japan and his focuses were Japan’s modern theater, artistic criticism and cultural perspectives of theater space. He is Associate Professor of the Department of Theatre Arts and the Dean of the Graduate Institute of Theatre Arts at the Taipei National University of the Art. He is also an actor of Taiwan Haibizi of Tent Theatre. His jury experiences include Chairperson of the final selection of performing arts at the 7th Taishin Arts Award (2008), Juror of Japanese Directors’ Competition organized by the Japan Performing Arts Foundation (2011) and Resident Critic of Festival/Tokyo (2011).
His academic publications include Space and Body in Small Theatre Movement of Postwar Japan (Taipei National University of the Arts/Oct 2009) and Faces of Theatre in Postwar Japan (Black Eye Culture, Taipei/Sep 2010). He also translated Tadashi Suzuki’s Culture is the Body with LIU Shou-Yao (Performing Arts Review, Taipei/Jan 2011).
