孫松榮 SING Song-Yong
Professor and Director in the Graduate Institute of Animation and Film Art, Tainan National University of the Arts; Chief Editor of Art Critique of Taiwan
法國巴黎第十大學表演藝術研究所電影學博士，國立台南藝術大學動畫藝術與影像美學研究所教授兼所長。現任《藝術觀點ACT》雜誌主編。曾擔任「不只是歷史文件：港台錄像對話1980-90s」（2018）、「啓視錄：台灣錄像藝術創世紀」（2015）、第八屆台灣國際紀錄片雙年展「紀錄之蝕：影像跨界的交會」（2012）策展人。主要研究領域為現當代華語電影美學研究、電影與當代藝術，及當代法國電影理論與美學等。著有《蔡明亮：從電影到當代／藝術》（2013），《入鏡丨出境：蔡明亮的影像藝術與跨界實踐》（2014）等。
Sing Song-Yong earned his doctoral degree in cinematography from the Institute of Performing Arts, University Paris Ouest - Nanterre La Défense, France. He teaches as a professor in the Graduate Institute of Animation and Film Art, Tainan National University of the Arts, and serves as the director of the same institute. He is the chief editor of Art Critique of Taiwan. He curated “(Not) Just a Historical Document: Hong Kong-Taiwan Video Art 1980-1990s” (2018), “Rewind_ Video Art in Taiwan 1983-1999” (2015), “The Eclipse of Documentary: The Transdisciplinary Intersection of Images” (2012). His research interests cover the aesthetics of contemporary Chinese cinema, contemporary art and cinema, as well as theories and aesthetics of contemporary French films. His publications include Tsai Ming-Liang: From Cinema to Contemporary/Art (2013) and Projecting Tsai Ming-Liang: Towards Transart Cinema (2015) etc.
