偽裝 Disguise

首次展演日期: 2014-02-22    結束展演日期: 2014-03-29
詳細時間說明:
開放時間 Open:
星期二 -星期六 11:00-19:00
Tue-Sat 11:00-19:00

活動地點: 弔詭畫廊
活動地址: 高雄市 五福四路184號

藝術家 Artist :

彭譯毅 Peng ii、蔡志賢 TSAI Chih-Hsien、顧上翎 KU Shang-Ling

開幕時間 Opening :

2014.02.22  15:00

這是一個追求「手感」的年代，在工業過度生產之後，人們對手感產生依附，強調觸覺、溫度與對話的依戀程序中，創作者與觀眾藉作品互相投注情感慰藉，而逐漸形成一種價值取向的意識形態。 

「偽裝」是顧上翎、蔡志賢與彭譯毅，透過手感解讀身體節奏，順應一種思緒纏繞/歸位的整理過渡，體會官能/情感變化，與作品產生共鳴，迷戀如癡醉，篤定如信仰，私密交錯地自說自話。質感眷戀原來是一種無以名狀的偏好，在立體作品中展現繪畫性：將瓷土鋪成類書畫的棉紙，暈染墨彩。具厚度的塊狀偽裝重量感，顧上翎承接過往對瓷土質感的依戀，在碰撞易碎的對話中，讓觀者體驗脆弱的傷感、謹慎、甚至恐懼的情緒；鋼鐵有多強硬？蔡志賢處理鐵塊猶如麵包師父手上的麵團，把沉重鋼鐵糅出童話遐想，使觀者會心莞爾，彷彿消失的童心在瞬間被喚醒，遺忘了斑駁鐵鏽的滄桑感，包裹一層巧克力偽裝，作品尾端輕而易舉如薄脆般撕裂，方知簡潔向來最費力，如此力道反而拉扯出瀟灑技法；因為喜愛建築技術的「手路」，彭譯毅整合建築材料在空間裡切割空間，讓視覺往深度延伸，展場偽造出另一區塊，有向舊式建築呼喚的懷舊感。 

偽裝是一種隱藏自身的騙術，創作者與作品對立，主客體相互消融，不斷重複性的對話，在手感碰觸之間有層層自我投射的偽裝關係。因手感的初次體驗產生美好到眷戀，心境也由緊張而鬆弛，由焦慮而了然。 

People pursue ‘the sense of handicraft’ nowadays. They are attached to craftsmanship after the time of over mass industrial production. Through the activity of obsessively focusing on the sense of touch and temperature, artists and audience evince their consciousness or comfort and generate an ideology of value via artworks. 

‘Disguise’ is a conversion of KU Shang-Ling, TSAI Chih-Hsien and Peng ii’s creation that presents how they organise their entangled/origin thoughts and rhythm of body by way of making handiworks.  Artists find resonance while creating art pieces and intimately soliloquise in the state of being passionate as fixation and confident as worship. The affection for texture is inexpressible enthusiasm that expresses painterliness in sculptures. 

Disguise is a trick to hide oneself. When artists and artworks are opposite one another, their subjectivity and objectivity repeat conversation and wear each other down. The relationship of disguise is self-projected with artists’ touches. The first experience of handicraft leads beauty to devotion, and the artists’ mind are becoming relax from nervous, alleviated from anxious.

費用說明:
免費

活動聯絡電話: 07-5219028    活動聯絡人: 弔詭畫廊